Brahms Piano Concerto No. 1 / Royal Philharmonic Orchestra / cond. Vasily Petrenko

Denis Kozhukhin

Next Concerts

Nov 30, 2022

Verbier-Elmau Festival – Solo recital

Elmau, GERMANY - Verbier-Elmau Festival

SCHUMANN “Kinderszenen”
SCHUBERT Sonata B flat major D 960

Dec 08, 2022

Gulbenkian Orchestra

Lisbon, PORTUGAL - Calouste Gulbenkian Foundation - Grand Auditorium

SCHUMANN Piano Concerto in A minor, op. 54

w/ Gulbenkian Orchestra
Giancarlo Guerrero , conductor

Reviews

June 18th, 2019

“The classical restraint of Kozhukhin’s metrical precision actually added to the touching pathos. Without pause Kozhukhin launched into the final Rondo, each episode of which was splendidly characterised. The fugal passage was especially ear-catching from the strings, in its quietly creeping Tom ‘n Jerry manner, before the pianist demonstrated just how piquant his decorated version was. The coda let loose its tight succession of exchanges between soloist and band, and this formidable work completed its heroic journey. The tiny encore of Grieg’s Arietta, which Kozhukhin announced to an alarming squeal from (I assume) one of that composer’s compatriots, was as evanescent and inconsequential as the concerto had sounded mighty and enduring.”

Read the full review on Seen and Heart International

Video

Brahms: Fantasies No. 1 in D minor

In the Press

Denis Kozhukhin was the soloist for the Prom 8 at the Royal Albert Hall, performing Rachmaninov Piano Concerto No.2 with the BBC Symphony Orchestra under their principal guest conductor, Dalia Stasevska. The concert took place on July 20th, and the program also included works by Jóhann Jóhannsson, Hildur Guðnadóttir, and Tchaikovsky.

You can listen to the BBC Radio broadcast of the concert HERE

REVIEW by Seen and Heard International:

“As a performance, this Rachmaninov was a meeting of souls between Kozhukhin and Stasevska.”
“No doubting the fluency of Kozhukhin, nor the ideal pacing; the BBC Symphony Orchestra was on its best behavior, too, with a notably expressive first horn solo from Nicholas Korth in the first movement.”

“The finale was high-voltage, but not just super-virtuoso, but notable for the amount of detail (particularly woodwind) audible from the orchestra.”

“An encore, after the rapturous ovation accorded to Kozhukhin, was inevitable, and it could hardly have contrasted more (although still staying with Russia); the chorale-like ‘Mama’, No.4 from Tchaikovsky’s 1878 Children’s Album.”

REVIEW by Telegraph:

“Then, as the final soft chord hung on the air, the Russian pianist Denis Kozhukhin launched into the familiar sequence of swelling chords that begins Rachmaninov’s 2nd Piano Concerto. This famous opening can sometimes be indulgently slow, but Kozhukhin remembered that it is only an introduction, not the main event, and brought us quickly to the main melody, while on the podium, Stasevska stood poised like a relay runner ready to take over. That combination of eager sensitivity and intelligence marked the whole performance, and it made the piece seem young and vital, rather than the sumptuous, over-upholstered star vehicle it can so easily become.”

REVIEW by The Arts Desk:

“The pianist was Denis Kozhukhin, who did not take a heroic, look-at-me approach but played with humility and sensitivity. His restraint was compensated for by Dalia Stasevska, who was flamboyance itself, living every moment of the piece, as she did later with Tchaikovsky. The slow movement was pitched to perfection, bookended by Richard Hosford’s gorgeous clarinet solo and Kozhukhin’s magical placement of the final notes.”