Next Concerts

Jul 02, 2022

Blaricum Music Festival – Recital

Blaricum, The Netherlands

George Enescu – Sonata for violin and piano No. 2 in F, Op. 6
Edvard Grieg – Sonata for Violin and Piano No. 3 in C minor, Op. 45
– Interval –
Ludwig van Beethoven – Sonata for violin and piano No. 9, Op. 47 (Kreutzer)

w/ Alexandra Conunova, violin

Jul 05, 2022

Blaricum Music Festival – Recital

Blaricum, The Netherlands

Ludwig van Beethoven – 32 variations in C minor, WoO 80
Jörg Widmann – Intermezzi
Johannes Brahms – Intermezzi, op. 117
– Interval –
Franz Schubert – Sonata in B flat, D 960

News

A powerful Kozhukhin for a brilliant Rachmaninov festival

March 15, 2022

“The Russian pianist, mentored by Dmitri Bashkirov, presented from the very first moment what his interpretative basis would be. On one hand, a bright, shimmering, majestic sound, overflowing with energy and with the power to solve the chords and octave passages so characteristic of this Second Piano Concerto. On the other hand, an expressive elegance that allowed him to delve into the slow passage of the second movement of the Concerto with a contemplative romantic poetry, beautiful in diction and elegant in the line.”

“Kozhukhin’s temperamental pianism could be reminiscent of Ashkenazy’s, express the magic surrounding Eliso Virsaladze’s versions and even bring us closer to that majestic vision that pianists like Trifonov, Berezowsky, Toradze and Yuja Wang have presented us.”

“Memorable reading of Piano Concerot No. 4 –with the very well-measured orchestral balance–, this interpretative courage and the technical complexities required by this orchestral page came together in a version full of fervor and energy. From Kozhukhin we are captivated by the roundness of sound – a fact closely linked to Bashkirov – but also by the romantic conception and not at all sweetened when facing the slow passages. His articulation has an exact precision (brilliant the last movement) and the vigorous, emboldened conception of this Fourth Piano Concerto, which seduced us by a wide range of sound dynamics achieved with a notorious synchronization with the Barcelona Symphony (conducted by Matthias Pintscher).”

“The Piano Concerto No.1, a seductive work that has a final movement of great technical demand, was brilliant, with a Kozhukhin of millimetric precision in the attacks, very elegant in the phrasing and posing a Rachmaninoff of a great strength, but never overwhelming. His pianism went through a multitude of registers, although the colours he obtained in the third movement seduced us by the explosiveness in the attacks and a volume that transported us to some of his Preludes or Tableaux-Etudes.”

“Fantastic the Barcelona Symphony, as it was on Sunday morning the passionate version that Kozhukhin offered us of the famous and much feared (with permission from the fourth in the series) Piano Concerto No. 3.The Russian pianist was eloquent, determined to continue a vigorous reading and with solo passages full of jumps, octave sequences and chords drums rising grandly throughout the room of the Auditorium. A very powerful version -which reminded us of the legendary Arcadi Volodos – and which maintained a constant magnetism throughout the performance. Kozhukhin never gave up on his momentum, with a good orchestral ensemble, conducted by Kazushi Ono, offering beautiful dialogues with the musicians of the orchestra.”

Read Full Review On RevistaMusical.cat

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