Next Concerts

October 19, 2026

Luxembourg Philharmonie

Luxembourg, Luxembourg

Beethoven: Sonata for Violin and Piano, No.10 in G major, Op.96 'The Cock-crow'
Prokofiev: Five Melodies for Violin and Piano, Op.35
Beethoven: Sonata for Violin and Piano, No.3 in E-flat major, Op.12, No.3
Prokofiev: Violin Sonata No.1 in F minor, Op.80

– Janine Jansen (violin)

Venue: Philharmonie Luxembourg, Luxembourg

Link to the performance

October 20, 2026

Brussels Bozar

Brussels, Belgium

Beethoven: Sonata for Violin and Piano, No.10 in G major, Op.96 'The Cock-crow'
Prokofiev: Five Melodies for Violin and Piano, Op.35
Beethoven: Sonata for Violin and Piano, No.3 in E-flat major, Op.12, No.3
Prokofiev: Violin Sonata No.1 in F minor, Op.80

– Janine Jansen (violin)

Venue: Bozar, Centre for Fine Arts, Brussels

Link to the performance

Reviews

June 11th, 2018

Rachmaninov: Piano Concerto No.3 / Philharmonia Orchestra / cond. Paavo Järvi

[…] In performing Rachmaninov’s Third Piano Concerto, it was the Russian Denis Kozhukhin who replaced Khatia Buniatishvili as soloist. Kozhukhin’s reputation may not be as lofty as what some of the audience tonight might have desired, but this was a concern fated to be futile. At times sensitive, at times visceral, and at times both in an entirely convincing way, Kozhukhin’s pianism demonstrated an immersive musical narrative, complemented with his impeccably crystal-clear technique. Although his audible murmuring was initially worrisome, these vocal intrusions were only proof of Kozhukhin’s musical confidence, as he cadenced through the variegated moods and shapes of Rachmaninov’s maze with natural fervour; musically, any indication of self-consciousness was largely kept at bay. Järvi’s empathic accompaniment proved invaluable, as even the minutest of Kozhukhin’s expressions were attended. Yet this is not to suggest the wanting of orchestral beef. In the soaring coda of the Finale, neither Kozhukhin nor the orchestra compromised any sort of their presence, as the work concluded triumphantly. […]
Read the full review on Bachtrack.com

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