Return to the Intonations Festival, Berlin

Denis Kozhukhin

Next Concerts

Oct 01, 2022

Recital tour with Janine Jansen

Stockholm, SWEDEN - Konzerthuset

SCHUBERT Sonata in A major “Gran Duo”
BRAHMS Sonata No 3 in d minor
BEETHOVEN Kreutzer Sonata No 9

Oct 12, 2022

Recital tour with Janine Jansen

New York, USA - Carnegie Hall

SCHUBERT Sonata in A major “Gran Duo”
BRAHMS Sonata No 3 in d minor
BEETHOVEN Kreutzer Sonata No 9

News

April 19th, 2016

Denis Kozhukhin returns to the Intonations Festival in Berlin this month, giving a series of three concerts from 19 to 21 April 2016 at the Jewish Museum. For the first concert, Kozhukhin is joined by Emmanuel Pahud (flute) and Danele Damiano (bassoon) to perform Beethoven Piano Trio with Flute and Bassoon WoO 37, followed by Martinů Trio for Flute, Cello and Piano with Pahud and cellist Timothy Park.

The second concert sees Kozhukhin performing Busoni Fantasia Contrappuntisticawith Kirill Gerstein (piano), Stravinsky The Soldier’s Tale: Suite with Alexander Sitkovetsky (violin) and Pascal Moraguès (clarinet), after which he rejoins Gerstein to perform Rachmaninov Symphonic Dances, Op.45. In the final recital, Kozhukhin will be joined by Michael Barenboim (violin) in a performance of Schönberg Fantasy for violin and piano, Op.47.

Video

Brahms: Fantasies No. 1 in D minor

In the Press

Denis Kozhukhin was the soloist for the Prom 8 at the Royal Albert Hall, performing Rachmaninov Piano Concerto No.2 with the BBC Symphony Orchestra under their principal guest conductor, Dalia Stasevska. The concert took place on July 20th, and the program also included works by Jóhann Jóhannsson, Hildur Guðnadóttir, and Tchaikovsky.

You can listen to the BBC Radio broadcast of the concert HERE

REVIEW by Seen and Heard International:

“As a performance, this Rachmaninov was a meeting of souls between Kozhukhin and Stasevska.”
“No doubting the fluency of Kozhukhin, nor the ideal pacing; the BBC Symphony Orchestra was on its best behavior, too, with a notably expressive first horn solo from Nicholas Korth in the first movement.”

“The finale was high-voltage, but not just super-virtuoso, but notable for the amount of detail (particularly woodwind) audible from the orchestra.”

“An encore, after the rapturous ovation accorded to Kozhukhin, was inevitable, and it could hardly have contrasted more (although still staying with Russia); the chorale-like ‘Mama’, No.4 from Tchaikovsky’s 1878 Children’s Album.”

REVIEW by Telegraph:

“Then, as the final soft chord hung on the air, the Russian pianist Denis Kozhukhin launched into the familiar sequence of swelling chords that begins Rachmaninov’s 2nd Piano Concerto. This famous opening can sometimes be indulgently slow, but Kozhukhin remembered that it is only an introduction, not the main event, and brought us quickly to the main melody, while on the podium, Stasevska stood poised like a relay runner ready to take over. That combination of eager sensitivity and intelligence marked the whole performance, and it made the piece seem young and vital, rather than the sumptuous, over-upholstered star vehicle it can so easily become.”

REVIEW by The Arts Desk:

“The pianist was Denis Kozhukhin, who did not take a heroic, look-at-me approach but played with humility and sensitivity. His restraint was compensated for by Dalia Stasevska, who was flamboyance itself, living every moment of the piece, as she did later with Tchaikovsky. The slow movement was pitched to perfection, bookended by Richard Hosford’s gorgeous clarinet solo and Kozhukhin’s magical placement of the final notes.”