Debut recital at Vienna Konzerthaus

Denis Kozhukhin

Next Concerts

Nov 28, 2022

Verbier-Elmau Festival – Chamber Music

Elmau, GERMANY - Verbier-Elmau Festival

BRAHMS Trio for Clarinet, Cello & Piano
SHOSTAKOVICH Piano Trio Op. 67

Martin Frost, Anastasia Kobekina & Vadim Repin, conductor

Nov 30, 2022

Verbier-Elmau Festival – Solo recital

Elmau, GERMANY - Verbier-Elmau Festival

SCHUMANN “Kinderszenen”
SCHUBERT Sonata B flat major D 960

News

January 28th, 2016

Denis Kozhukhin gives his debut recital at the Vienna Konzerthaus on 11 February 2016, performing a programme including Haydn Keyboard Sonata in D major, Liszt Harmonies poétiques et religieuses, Brahms 7 Fantasias, Franck Prélude, chorale et fugue and Prokofiev Piano Sonata No.7 in B-flat major.

The following week, Kozhukhin returns to the UK to perform alongside the Carducci Quartet in two recitals: in London at LSO St Luke’s on 18 February and at Reading Town Hall on 19 February, performing Shostakovich Piano Quintet in G minor. After these concerts, he performs at Wigmore Hall on 22 February in a BBC Lunchtime recital with a programme including Haydn Keyboard Sonata in D major, Brahms Theme and Variations in D minor, Liszt Harmonies poétiques et religieuses and Bartók Out of Doors. This recital will be broadcast live on BBC Radio 3.

Video

Brahms: Fantasies No. 1 in D minor

In the Press

Denis Kozhukhin was the soloist for the Prom 8 at the Royal Albert Hall, performing Rachmaninov Piano Concerto No.2 with the BBC Symphony Orchestra under their principal guest conductor, Dalia Stasevska. The concert took place on July 20th, and the program also included works by Jóhann Jóhannsson, Hildur Guðnadóttir, and Tchaikovsky.

You can listen to the BBC Radio broadcast of the concert HERE

REVIEW by Seen and Heard International:

“As a performance, this Rachmaninov was a meeting of souls between Kozhukhin and Stasevska.”
“No doubting the fluency of Kozhukhin, nor the ideal pacing; the BBC Symphony Orchestra was on its best behavior, too, with a notably expressive first horn solo from Nicholas Korth in the first movement.”

“The finale was high-voltage, but not just super-virtuoso, but notable for the amount of detail (particularly woodwind) audible from the orchestra.”

“An encore, after the rapturous ovation accorded to Kozhukhin, was inevitable, and it could hardly have contrasted more (although still staying with Russia); the chorale-like ‘Mama’, No.4 from Tchaikovsky’s 1878 Children’s Album.”

REVIEW by Telegraph:

“Then, as the final soft chord hung on the air, the Russian pianist Denis Kozhukhin launched into the familiar sequence of swelling chords that begins Rachmaninov’s 2nd Piano Concerto. This famous opening can sometimes be indulgently slow, but Kozhukhin remembered that it is only an introduction, not the main event, and brought us quickly to the main melody, while on the podium, Stasevska stood poised like a relay runner ready to take over. That combination of eager sensitivity and intelligence marked the whole performance, and it made the piece seem young and vital, rather than the sumptuous, over-upholstered star vehicle it can so easily become.”

REVIEW by The Arts Desk:

“The pianist was Denis Kozhukhin, who did not take a heroic, look-at-me approach but played with humility and sensitivity. His restraint was compensated for by Dalia Stasevska, who was flamboyance itself, living every moment of the piece, as she did later with Tchaikovsky. The slow movement was pitched to perfection, bookended by Richard Hosford’s gorgeous clarinet solo and Kozhukhin’s magical placement of the final notes.”