September 12th, 2011
Venue: Aula Universiteit van Tilburg
HAYDN: Sonata No. 59, Hob XVI-49 in E-flat major
BRAHMS: Sonata No.1 in C major, Op.1
LISZT: Transcendental etude No. 1, ‘Preludio’
LISZT: Transcendental etude No. 2
LISZT: Transcendental etude No. 3, ‘Paysage’
LISZT: Transcendental etude No. 7, ‘Eroica’
LISZT: Transcendental etude No. 10
LISZT: Transcendental Etude no.11, Les Harmonies du Soir
LISZT: Transcendental etude No. 4, ‘Mazeppa’
Brahms: Fantasies No. 1 in D minor
“In Beethoven anniversary year, there will probably be many more “Moonlight”s, meaning the Sonata, than the real thing (though we’ve been lucky to see the crescent in close conjunction with Venus these past two nights). Not many pianists would dare to place it at the beginning of a programme. Denis Kozhukhin’s paradoxically no-nonsense poetry meant that a constant sense of motion culminated in the whirlwind of the finale, a steady move towards implosion mirrored in the piano transcription of Ravel’s La Valse at the end of the programme. In between came perfection in the form of pure song from Schubert and Grieg.”
