Next Concerts
Nov 24, 2024
Hungarian National Philharmonic
Budapest, Hungary
Brahms: Variations on a Theme by Haydn, Op. 56
Strauss: Burleske in D minor for Piano and Orchestra
Berlioz: Roméo et Juliette, Op. 17
– Hungarian National Philharmonic (ensemble)
– Lawrence Foster (conductor)
Venue: Müpa Budapest Béla Bartók National Concert Hall, Budapest, Hungary
Nov 28, 2024
I musici de Montreal
Montreal, Canada
Silvestrov: The Messenger for Piano and Strings
Mozart: Piano Concerto No. 18 in B-flat Major, K. 456
Silvestrov: Stille Musik (Silent Music)
Mozart: Symphony No. 33 in B-flat Major, K. 319
– I musici de Montreal (ensemble)
– Maxim Rysanov (conductor)
Venue: Salle Pierre Mercure, Montreal, Canada
FEATURES
Oct 17 2011
Reichel Recommends: Young Russian Pianist to Debut with the Utah Symphony this Weekend
This weekend the Utah Symphony will take a break from the Beethoven symphony cycle to perform a concert of early works by Russian composers. The concert will feature two young guest artists performing in Utah for the first time: Scottish conductor Garry Walker and Russian pianist Denis Kozhukhin. The program will include Stravinsky’s rarely performed Symphony No. 1, op. 1, Prokofiev’s Piano Concerto No. 1, op. 10, and Tchaikovsky’s Symphony No. 2, op. 17.
“What I like in the U.S. public is their freshness of the perception of music, great attention to what is happening on stage and huge love and respect for music and arts in general. I am really looking forward to playing in Utah, which for me is a big step to discover many new things about U.S. and its public.”
Aug 27 2011
Jerusalem Post: Music Festival – Pride at the piano
With his love for music, pianist Denis Kozhukhin is constantly widening his repertoire.
’When I approach a new piece, it is important for me do it justice and to strike the right balance between the emotional and the intellectual, but this is just me; others will see in the same music different ideas, and this is the beauty that is in the art,” says pianist Denis Kozhukhin, who will be performing at the International Chamber Music Festival in Jerusalem next week.
“You can never say, ‘Okay, now I’ve understood it all. And at the end of the day, I want not to be ashamed of what I have done.”
